D:GP begins with the supposition that the heavy carbon economies inherited from industrialization have reached an unsolvable impasse, and must at their core must be redesigned, reformed and replaced. Furthermore, as it is now amplified by planetary-scale computation, industrial modernity is now so radicalized that its ubiquity is matched only by its imminent dissolution. But other conditions are possible. They have to be. Computation does not (necessarily) replace what comes before it, but under the right circumstances it can and does, and under more rarified conditions still, it should. Deep systemic crises invite three interrelated and apparently opposing responses: modernism, inertia and fundamentalism: fight, hide, and flight, accordingly. Toward this D:GP recognizes the emergence of another, alternative modernity. Where industrialization provided heaviness, expansion, production, and consumption, our successor modernity is one of lightness, contraction, subtraction and restoration. It is an interfacial modernity not of identity and maximalization, but of externality and transference. Where industrialization was a modernity for tabula rasa, today a subtractive modernity curates a world that is infinitely full. Its radicality is not drawn from the historical or geographic momentum of a “new world,” but rooted in the precarity of globalizations that are as irresolvable as they are interconnected.
The Center for Design and Geopolitics is a think-tank based at Calit2 and the University of California, San Diego devoted to using Art and Design to develop new models for how planetary-scale computation transforms political, urban and ecological systems. D:GP was founded in 2010 by Visual Arts professor, Benjamin H. Bratton.
Text via D:GP