The study of the senses has become a rich topic in recent years. Senses of Vibration explores a wide range of sensory experience and makes a decisive new contribution to this growing field by focussing not simply on the senses as such, but on the material experience – vibration – that underpins them.
This is the first book to take the theme of vibration as central, offering an interdisciplinary history of the phenomenon and its reverberations in the cultural imaginary. It tracks vibration through the work of a wide range of writers, including physiologists (who thought vibrations in the nerves delivered sensations to the brain), physicists (who claimed that light, heat, electricity and other forms of energy were vibratory), spiritualists (who figured that spiritual energies also existed in vibratory form), and poets and novelists from Coleridge to Dickens and Wells. Senses of Vibration is a work of scholarship that cuts through a range of disciplines and will reverberate for many years to come.
Senses of Vibration
A History of the Pleasure and Pain of Sound
By: Shelley Trower
Text & Image via Bloomsbury
Eidos consists of two pieces of experimental equipment that give you superhuman sight and hearing.
Eidos Vision enhances the way we see motion, while Eidos Audio lets us hear speech more selectively.
Eidos has broad application in areas where live audio and video analysis is valuable. For example, sportspeople can visualise and improve technique in real time. Eidos also has healthcare benefits where it can be used to boost or refine sensory signals weakened by ageing or disability. In the arts, Eidos can augment live performance such as ballet, fashion or music concerts. It allows us to highlight previously invisible or inaudible details, opening up new and customisable experiences.
Text and Image Via Tim Bouckley
Frans Evers’s The Academy of the Senses is a book wanting to be three books at once. A study of the scientific approaches to synesthesia, related to the psycho-physical research conducted by Evers during his studies at the university; an alternative art history of the twentieth century based on the double paradigm of Castel’s clavecin oculaire and Wagner’s Gesamtkunstwerk; and a full account of the genesis of the Interfaculty Image & Sound. To encompass this entire range of subject, Evers coined a new term, “synesthetics,” to denote the experience, creative force, and study of synesthesia.
Throughout his career, Evers has profiled himself as an educational reformer. Together with electronic music pioneer Dick Raaijmakers, he started a series of projects and lectures exploring the interaction of music and fine arts, which culminated in the establishment of the first multimedia department in the Netherlands, the Interfaculty Image & Sound at the University of the Arts in The Hague, which Evers headed from 1989 until 2007. This book maps out the theoretical and artistic foundations of this educational reform project, as well as its synesthetic output: large multi-media performances such as a reworking of Anton Schoenberg’s Die Glückliche Hand, Mondrian’s Promenoir, and Scheuer im Haag.
The Academy of the Senses is a “source book,” a work of inspiration, rather than a rigid account of historical facts. It provides anyone with an interest in the wondrous realm of multimedia arts and synesthesia as a creative force, whether student or professional, an introduction into the foundations and extensions of seeing sound and hearing colors throughout the centuries.
Text and Image via Vangervenoei
In grassy areas along the equator lives a tiny plant, Mimosa pudica, that has the captivating property of closing its leaves in response to touch. Rest a finger on one leaf, and that leaf and its neighbor will fold abruptly toward the stem. Brush your finger along the length of the stem and every pair of leaves will collapse in turn. For everyone who has wondered at Mimosa, the suddenly snapping Venus flytrap or the way a sunflower’s head unerringly turns to follow the sun, Daniel Chamovitz has written the perfect book.
What a Plant Knows: A Field Guide to the Senses examines the parallels and differences between plant senses and human senses by first considering how we interpret sensory inputs and then exploring how plants respond to similar inputs. Each chapter covers one sense—sight, smell, touch and hearing are covered, along with “How a Plant Knows Where It Is” and “What a Plant Remembers”—and each examines a wide taxonomical range of flora and a complementary historical range of experiments. In the book’s introduction, Chamovitz is careful to clarify his intentions in using language that might be considered anthropomorphic to explore the world of plants:
When I explore what a plant sees or smells, I am not claiming that plants have eyes or noses (or a brain that colors all sensory input with emotion). But I believe this terminology will help challenge us to think in new ways about sight, smell, what a plant is, and ultimately what we are.
Excerpt from an article/review by Andrea Wills at American Scientist. Continue HERE
WHAT A PLANT KNOWS: A Field Guide to the Senses by Daniel Chamovitz.
When a friend hits her thumb with a hammer, you don’t have to put much effort into imagining how this feels. You know it immediately. You will probably tense up, your “Ouch!” may arise even quicker than your friend’s, and chances are that you will feel a little pain yourself. Of course, you will then thoughtfully offer consolation and bandages, but your initial reaction seems just about automatic. Why?
Neuroscience now offers you an answer: A recent line of research has demonstrated that seeing other people being touched activates primary sensory areas of your brain, much like experiencing the same touch yourself would do. What these findings suggest is beautiful in its simplicity—that you literally “feel with” others.
Excerpt from an article written by Jakub Limanowski, at Scientific American. Continue HERE