Human-ities · Public Space · Social/Politics

Banner Days: The Triumphant Gay Revolution

His dashing ascot billowing, his flat cap perched just so (to hide his bald spot), the cleft-chinned Harry Hay had some impressive head shots. As a student at Stanford in the early 1930s, he had come out to his classmates as “temperamental,” code for “homosexual.” In 1934, having dropped out of Stanford and moved to Los Angeles to try a career in pictures — and having already begun to hone his identity as sensualist and agitator — he joined the Communist Party. Around 1936, he turned up at a Halloween party dressed as “the demise of fascism.” The other homosexual bons vivants were stumped: none were terribly turned on to politics, so none knew what Harry’s costume meant. These men, and others like them across America, had no core ideology, no political groups to join, no leaders. Hay changed that. In 1950, he helped create the Mattachine Society, the country’s first gay rights organization, and demanded that the people it represented “be respected for our differences, not for our sameness to heterosexuals.”

Excerpt of an article written by RICH BENJAMIN, at NYT. Continue HERE

Art/Aesthetics · Film/Video/New Media · Social/Politics

The Noise of Cairo explores Art in Revolution

The Noise of Cairo is an upcoming documentary about the Cairo art scene after the 2011 Egyptian revolution. Produced by scenesfrom, this “cinematic kaleidoscope” interviews a dozen artists and explores the role played by creatives during the revolution.