Architectonic · Art/Aesthetics · Human-ities · Sculpt/Install · Social/Politics · Videos

Museum of the Unknown Life

Passionate about objects and the stories they contain, Tim Molloy, Head of Creative Direction at the Science Museum, takes us on a treasure hunt through Brick Lane’s junk stores and markets and into London’s iconic Science Museum after hours.

Directed by Jen Fearnley. See this short at Manifesto NYC

Art/Aesthetics · Events · Human-ities · Shows · Social/Politics · Theory

Museum as Hub: We Who Feel Differently :: Sexual and gender “difference” after four decades of Lesbian, Gay, Bisexual, Trans, Intersex, Queer, and Questioning politics.

“Museum as Hub: Carlos Motta: We Who Feel Differently” is a multipart project that explores the idea of sexual and gender “difference” after four decades of Lesbian, Gay, Bisexual, Trans, Intersex, Queer, and Questioning politics. Through an exhibition, series of events, and an opening symposium, the project seeks to invigorate discussion around a queer “We” that looks beyond tolerance or assimilation toward a concept of equality that provides for greater personal freedom. The project draws from Motta’s evolving database documentary wewhofeeldifferently.info, which proposes “difference” as a profound mode of possibility for both solidarity and self-determination.

The exhibition features a video installation based on fifty interviews with an international and intergenerational group of LGBTIQQ academics, activists, artists, politicians, researchers, and radicals. Motta—together with editor Cristina Motta—identified five thematic threads from this research that address subjects ranging from activism to intimacy, art to immigration. Drawing upon early queer symbols and imagery, a series of new sculptures and prints situates narratives of the LGBTIQQ movement in dialogue with developments in art and history, while also considering their critical significance in contemporary queer discourse and culture at large. The design of the Museum as Hub by Carlos Motta and architect Daniel Greenfield—anchored by the installation of multicolored carpeting—gives the gallery an aesthetic and functional makeover that invites extended viewing and collective activity.

Text via the NEW MUSEUM
More info about “Museum as Hub: We Who Feel Differently” HERE

Architectonic · Performativity · Sculpt/Install

Vojtěch Fröhlich climbing thru the Academy of Fine Arts in Prague without touching the ground

Perhaps following his architecture-climbing predecessors, this is Vojtěch Fröhlich’s site-specific installation and performance climbing thru the Academy of Fine Arts in Prague without touching the ground.

Vojtěch Fröhlich, 2011. Academy of Fine Arts in Prague

Matthew Barney, 2006. San Francisco Museum of Modern Art

Gordon Matta-Clark, 1973. Clocktower Building in Manhattan

Johnny Weissmuller, 1942. Tarzan’s New York Adventure

Charles Laughton, 1938. The Hunchback of Notre Dame


Vojtěch Fröhlich

Architectonic · Performativity · Sculpt/Install

Domestication of Pyramids

A thirteen-meter high tilted wall covered in red silica sand. The wall slices the inner space of the Museum diagonally across two floors, slashing razor-like through pillars and balustrades up to the ceiling. The wall, tilted at a 45° angle and with a base thirty-five meters long, is a fragment of one side of a pyramid which could continue in the exterior of the Museum building. A space on a scale which greatly exceeds the size of the host building is inserted into the museum’s interior. Despite its dimensions, it is only a fragment of a whole known to us, which in an imaginary way continues beyond the borders of the Museum building and which we can mentally reconstruct as a pyramid. Domestication primarily stems from the fact that we can already imagine it based on the fragment we have at our disposal because we have become well acquainted with its form in our minds.

Domestication of Pyramids by Magdalena Jetelová

Design · Games/Play · Human-ities · Performativity · Sculpt/Install

Museum of Talking Boards

“Ouija knows all the answers. Weird and mysterious. Surpasses, in its unique results, mind reading, clairvoyance and second sight. It furnishes never failing amusement and recreation for the entire family. As unexplainable as Hindu magic—more intense and absorbingly interesting than a mystery story. Ouija gives you entertainment you have never experienced. It draws the two people using it into close companionship and weaves about them a feeling of mysterious isolation. Unquestionably the most fascinating entertainment for modern people and modern life.”

With these words, William Fuld (businessman, designer, toy maker, with no branch factories or offices) invites you, the American people, to enter the strange, twilight world of Ouija, the Wonderful Talking Board.

Visit the gallery of the Museum of Talking Boards