Anarchic eco-charity Fuck for Forest wants you to get horny, get naked and save the world. Dedicated to the belief that personal sexual liberation can radically alter humanity’s relationship to the earth, Fuck for Forest’s modus operandi is to mix the serious business of survival with pleasure—they sell self-produced erotica online to benefit the environment. Despite enormous success (with over 400,000 euro in the bank) the members live a largely frugal existence, wandering through Germany without a cent in their pockets, playing music, converting passersby and exuberantly staging public sexual demonstrations. But the Western privilege that enables the group’s excess and devil-may-care optimism is precisely what throws their project into turmoil when the time comes to turn beliefs into actions. Fuck for Forest is a barely believable real-world story from director Michał Marczak (winner of the Emerging Artist Award at Hot Docs 2011) detailing a calamitous meeting of optimism and reality.
Written by Eli Horwatt. Via HotDocs
Isabel M. Martinez: According to quantum mechanics we have forty conscious moments per second, and our brains connect this sequence of nows to create the illusion of the flow of time. So, what would things look like if that intermittence was made visible? This body of work explores that hiccup, that blink, that ubiquitous fissure in the falling-into-place of things.
In my work I attempt to articulate something in between the freezing of time—that so often characterizes photography—and its relentless passing. I hint towards temporalities that are fluid, speculative, and somewhat loose. I am looking for the line that divides the finite (probability) from the infinite (possibility). If time is a succession of instants, I want to see what lies in between them.
I am after the gaps between instants of consciousness.
The photographs in Quantum Blink are composed of two exposures taken instants apart. The striped pattern is the result of masks placed in-camera, this feature allows me to blend two images together and at the same time keep them from fully fusing onto one another. Each photograph holds a brief sense of continuity, almost like an animation, slightly cinematographic. Though they provide a notion of movement and progression, you cannot tell which of the two starts it and which one ends it. In person, these photo-based works appear to shift and change depending on the distance and the angle from which they are seen; an illusion of volume may become apparent, while other times it may seem as though there are three images at play.
See more work by Isabel M. Martinez HERE
A stream of very viscous syrup falls from a nozzle onto a moving belt. Initially, the belt is moving so fast that the thread is just pulled out straight. As the speed of the belt is reduced, the thread first bifurcates to a meandering state, and then to a “figure eight” state. Finally, the thread falls into a coiling motion similar to what it would do on a non-moving surface.
The syrup is Newtonian.