Guided by an existential interest in the unknown, Sigurdur Gudmundsson generates work of abundant wit and verve that questions the way that vernacular culture and art relates to nature. Depicting everyday circumstances with absurdist tweaks, his Situations read as visual poems that explore the idiosyncrasies of human existence and tend toward the comical while retaining philosophical gravity. Gudmundsson uses himself as the subject of the Situations, but does not consider the works to be self-portraits but, rather, open-ended reflections that invite the viewer to ponder alongside the artist. Turning to sculpture in recent years, Gudmundsson has focused on creating works that retain his characteristic humor and are dominated by elegance, simplicity, and technical perfection.
In 1978, with 19 other artists, Gudmundsson co-founded Reykjavik’s Living Art Museum, which is dedicated to experimental and innovative contemporary visual art. His artworks have been exhibited internationally, including at the 37th Venice Biennale, the National Gallery of Iceland, and the Stedelijk Museum in Amsterdam, and his public commissions have been displayed in Rotterdam, Groningen, and The Hague.
Hometown: Reykjavik, Iceland
Lives and Works: Amsterdam, The Netherlands and Xiamen, China
Text via Artspace
Images via i8 and ilikethisart
Collage, 1979. C-print, 69 x 87 cm / 106 x 127 cm framed
Horizontal Thoughts, 1970. Silver print on fiberbased paper. 100 x 95 cm
Unthinkable as it may be, humanity, every last person, could someday be wiped from the face of the Earth. We have learned to worry about asteroids and supervolcanoes, but the more-likely scenario, according to Nick Bostrom, a professor of philosophy at Oxford, is that we humans will destroy ourselves.
Bostrom, who directs Oxford’s Future of Humanity Institute, has argued over the course of several papers that human extinction risks are poorly understood and, worse still, severely underestimated by society. Some of these existential risks are fairly well known, especially the natural ones. But others are obscure or even exotic. Most worrying to Bostrom is the subset of existential risks that arise from human technology, a subset that he expects to grow in number and potency over the next century.
Despite his concerns about the risks posed to humans by technological progress, Bostrom is no luddite. In fact, he is a longtime advocate of transhumanism—the effort to improve the human condition, and even human nature itself, through technological means. In the long run he sees technology as a bridge, a bridge we humans must cross with great care, in order to reach new and better modes of being. In his work, Bostrom uses the tools of philosophy and mathematics, in particular probability theory, to try and determine how we as a species might achieve this safe passage. What follows is my conversation with Bostrom about some of the most interesting and worrying existential risks that humanity might encounter in the decades and centuries to come, and about what we can do to make sure we outlast them.
Excerpt of an article by Ross Andersen at The Atlantic. Continue HERE