With Art.sy, a visitor can enter an artist, artwork, artistic movement or medium into a search bar and the site will generate a list of artists and works that have been deemed related in some way. “There are a lot of people who may know who Warhol is, but they have no idea who Ray Johnson is. The ability to make those connections is what this is about,” said Cwilich, Art.sy’s Chief Operating Officer, on a recent segment of The Takeaway with John Hockenberry.
The endeavor is a true collaboration between computer scientists and art historians. (This is even evident in Art.sy’s leadership. Cleveland, Art.sy’s 25-year-old chief executive officer, is a computer science engineer, and Cwilich is a former executive from Christie’s Auction House.) To create a Web site that could generate fine-art recommendations, the Art.sy team had to first tackle the Art Genome Project. Essentially, a number of art historians have identified 800-and-counting “genes,” or characteristics, that apply to different pieces of art. These genes are words that describe the medium being used, the artistic style or movement, a concept (i.e., war), content, techniques and geographic regions, among other things. All the images that are tagged with a specific gene—say, “American Realism” or “Isolation/Alienation”—are then linked within the search technology.
Text and Image via The Smithsonian. Continue HERE
3:AM Magazine: Katerina Deligiorgi is a top Hegelian philosopher. She is a top Kantian philosopher. She philosophizes on history, on art history, on creativity, on literature, on the Enlightenment and what it means today. And what it meant back in the day. And how it has things to say about education. She wonders about action and how we intend to do things. She wonders about morality and autonomy and has a podcast on the theoretical challenges from cosmetic neurology. She has written a cutting edge book on Kant and the Culture of Enlightenment, and edited a book on Hegel: Hegel: New Directions. She has a new book coming out in June, The Scope of Autonomy: Kant and the Morality of Freedom which will dazzle us. She hasn’t burned her armchair like Josh Knobe, but is still a groove sensation.
Read Interview HERE
Cotton production, India. Courtesy of Uwe H. Martin
Niger Delta States. Courtesy of George Osodi.
SUPPLY LINES brings visual practitioners with notable bodies of previous work on globalization together with theorists working in areas of spatial culture, geography, art history and cultural theory to critically examine concepts of resource extraction, use, circulation, and representation. It furthermore forges a collaborative and interdisciplinary mode of geographical knowledge production, with the ultimate intent of stimulating ongoing research, education and public interest in the common use of limited resources. In addition to reframing resources, in other words, Supply Lines seeks to reposition the public’s relation to them. In so doing, it aspires to contribute to participatory, community-oriented models of society, which are increasingly crucial as resource conflicts intensify.
This visual research project explores human interactions with natural resources (e.g., water, oil, silver) and the spatial and social relations ensuing from them. Rather than understanding resources as fixed or externally given, the project conceives of them as collectively produced and able to mobilize and interrelate diverse areas with one another: geographically, historically, economically, and culturally. With growing consciousness about the global limitation and unsustainability of vital resources, there is an urgent need for new means of representation to convey the complexity of such social, geopolitical, ecosystemic and climatic relations. This project’s development of new visual and theoretical material aims to contribute to expanding the notion of “resource” from a hitherto primarily economic-industrial domain toward an aesthetic-cultural context.
Text via Geobodies
Images via Gasworks