A popular political advertisement from early this summer begins with US President Barack Obama addressing a crowd of moon-eyed supporters. Suddenly, the screen goes dark to a crescendo of minor chords. Phrases such as “Fear and Loathing”, “Nauseating” and “Divide and Conquer” flash onto the screen, along with video clips of commentators complaining that Obama has used scare tactics to manipulate voters. In the final scene, the iconic poster from Obama’s 2008 election campaign appears, the word HOPE transforming into FEAR as it bursts into flames.
The advertisement, produced by the conservative organization American Crossroads in Washington DC, is typical of those that have come to dominate the US airwaves and YouTube in preparation for next month’s presidential election. Emerging from both the right and the left, these commercials increasingly resemble horror films as they seek to sway voters by triggering basic emotions such as fear, anger and disgust.
That strategy fits with emerging scientific evidence about how people acquire their political beliefs. In the past, political scientists agreed that social forces — most importantly, parents and the childhood environment — strongly influenced whether people became conservative or liberal, and whether they voted or engaged in politics at all. “We now know that it is probably not the whole story,” says John Jost, a psychologist at New York University.
Read Full Article at Nature
Imagine a city where the temperature is always perfect and you never have to worry about a rainy day ruining your day’s plans. Sound like fiction? If you live in Dubai, a city-state already known for ambitious feats of engineering, a mini-metropolis with a thermostat is poised to become a reality.
Officials in Dubai last week announced plans to build the world’s first climate-controlled city. Dubbed the Mall of the World, the 48 million-square-foot complex will feature 100 hotels and apartment buildings, the world’s largest indoor theme park and the world’s largest shopping mall.
For years, oil was the commodity that kept the United Arab Emirates’ economic engine running, but tourism is now one of the UAE’s largest sources of revenue. In a country where summertime temperatures routinely exceed 100 degrees Fahrenheit, officials hope the Mall of the World will beat the heat and serve as a year-round tourist destination.
Under the Dome
The Mall of the World is expected to accommodate some 180 million visitors annually, and every visitor can savor the sealed city for a week without ever stepping foot outside. Enclosed promenades 7 kilometers long, with trams for quick transport, will connect visitors to all the facilities and districts throughout the mall.
The Mall of the World’s centerpiece will be the cultural district, which will recreate the world’s most famous landmarks from London, New York and Barcelona. The cultural district will be enclosed in a massive, golf-ball shaped dome and play host to weddings, conferences, performances, and a host of other celebrations.
And if you party too hard in the Mall of the World, the wellness district is just a tram ride away. Visitors to the city will have access to more than 3 million square feet of holistic healing options, surgical facilities, cosmetic treatments and other health-oriented services.
When the weather is perfect outside, the mall’s retractable roofs will allow fresh air into the indoor city. Developers also added that the indoor city will incorporate the latest sustainable technologies to reduce its carbon footprint. You can watch the video below to get a virtual tour of the Mall of the World.
Planning a Visit
Officials have not released a timetable for constructing the Mall of the World, but Dubai Holding, the state-owned company behind the project, hopes the mall will be the main focus at the World Expo trade fair in 2020, which Dubai will host.
And how much does an indoor city cost? Well, officials also haven’t released that information.
All text and images via Discover
Also, just in case you think this is not possible:
Guided by an existential interest in the unknown, Sigurdur Gudmundsson generates work of abundant wit and verve that questions the way that vernacular culture and art relates to nature. Depicting everyday circumstances with absurdist tweaks, his Situations read as visual poems that explore the idiosyncrasies of human existence and tend toward the comical while retaining philosophical gravity. Gudmundsson uses himself as the subject of the Situations, but does not consider the works to be self-portraits but, rather, open-ended reflections that invite the viewer to ponder alongside the artist. Turning to sculpture in recent years, Gudmundsson has focused on creating works that retain his characteristic humor and are dominated by elegance, simplicity, and technical perfection.
In 1978, with 19 other artists, Gudmundsson co-founded Reykjavik’s Living Art Museum, which is dedicated to experimental and innovative contemporary visual art. His artworks have been exhibited internationally, including at the 37th Venice Biennale, the National Gallery of Iceland, and the Stedelijk Museum in Amsterdam, and his public commissions have been displayed in Rotterdam, Groningen, and The Hague.
Hometown: Reykjavik, Iceland
Lives and Works: Amsterdam, The Netherlands and Xiamen, China
Direction: Yugo Nakamura (tha ltd.)
Edit / Programming: Naoki Nishimura (tha ltd.)
Shooting Assistant: Koji Takahashi (tha ltd.)
Sound Edit: Mishima Toyoaki
Sound Recording: NHK Program Design Center Sound Design Division
People tend to talk about the Internet the way they talk about democracy—optimistically, and in terms that describe how it ought to be rather than how it actually is.
This idealism is what buoys much of the network neutrality debate, and yet many of what are considered to be the core issues at stake—like payment for tiered access, for instance—have already been decided. For years, Internet advocates have been asking what regulatory measures might help save the open, innovation-friendly Internet.
But increasingly, another question comes up: What if there were a technical solution instead of a regulatory one? What if the core architecture of how people connect could make an end run on the centralization of services that has come to define the modern net?
It’s a question that reflects some of the Internet’s deepest cultural values, and the idea that this network—this place where you are right now—should distribute power to people. In the post-NSA, post-Internet-access-oligopoly world, more and more people are thinking this way, and many of them are actually doing something about it.
Among them, there is a technology that’s become a kind of shorthand code for a whole set of beliefs about the future of the Internet: “mesh networking.” These words have become a way to say that you believe in a different, freer Internet.
Read full article at The Atlantic
After an epic struggle with the weather for 35 days, Geoff Mackley, Bradley Ambrose, Nathan Berg, became the first people ever to get this close to Marum Volcano’s famed lava lake on Ambrym Island, Vanuatu. Coming within 30 metres of the lava lake down a watercourse, it was possible to stand the heat for only 6 seconds. With Fire Brigade breathing apparatus and heat proof proximity suit it was possible to stand on the very edge and view the incredible show for over 40 minutes.