Our ancestors could spot natural predators from far by their silhouettes. Are we equally aware of the predators in the present-day? Drones are remote-controlled planes that can be used for anything from surveillance and deadly force, to rescue operations and scientific research. Most drones are used today by military powers for remote-controlled surveillance and attack, and their numbers are growing. The Federal Aviation Administration (FAA) predicted in 2012 that within 20 years there could be as many as 30.000 drones flying over U.S. Soil alone. As robotic birds will become commonplace in the near future, we should be prepared to identify them. This survival guide is an attempt to familiarize ourselves and future generations, with a changing technological environment.
This document contains the silhouettes of the most common drone species used today and in the near future. Each indicating nationality and whether they are used for surveillance only or for deadly force. All drones are drawn in scale for size indication. From the smallest consumer drones measuring less than 1 meter, up to the Global Hawk measuring 39,9 meter in length.
Concept and design by Ruben Pater.
The Drone Survival Guide
On september 19th, 1989 UTA flight 772, scheduled to operate from the republic of congo to paris, was attacked and exploded over the Sahara desert, an international tragedy which resulted in the fatalities of all 170 people from 18 different nationalities on board. Eighteen years later, Les Familles de L’attentat du Dc-10 D’uta — an association of the victims’ families — resolved to collaborate in a monumental, on-site memorial for those deceased. A team of both relatives and local inhabitants journeyed to the remote crash site, settled along a barren stretch of the desert.
For its construction and realization, a significant circumstance was location. Wanting a memorial that could be visited and viewed forever, but limited by its inaccessible locale, the association set out to build a massive monument on the surface of the sand that could seen and accessed thorough the satellite view of google maps. 16°51′53″N 11°57′13″E are the coordinates of the commemoration, whose 200-foot diameter laid upon the expanse of the earth is clearly and fully visible from the sky. It is made up of large dark stones positioned in the outline of an airplane, fitted inside a massive compass. 170 broken mirrors are laid around the circumference, each representing one victim, while a plane wing stands upright, emerging from the sand and bearing a plaque with the names, ages, and country of origin of each person lost.
Text and Images (© Aviation Sans Frontières & Sahara Conservation Fund) via Designboom
“The Waste Land”, an exhibit/performance project, is a collaboration between artist Daniel Domig and actor Christopher Domig. T.S. Eliot’s work has been an inspiration for both artists over the years in their individual disciplines. This current collaboration will create an experience that is both a fully realized exhibit during the day and a complete theatrical performance at night, occupying the same space.
Eliot’s “The Waste Land” lends itself ideally for this endeavor, as it was written as a poem (neither an actor’s script, nor an artist’s playground). It is precisely due to its poetic form that other disciplines have, and continue to approach it with the same degree of alienation and familiarity, a dynamic that has been the catalyst to new work ever since it was published in 1922.
“The Waste Land” will be exhibited and performed in a neutral space (neither the artist’s white box, nor the actor’s black box). The space will be large enough for visitors to walk among the installation during the day as well as move around the space during the performance. The ability to move freely throughout the experience mirrors the poem’s inherent fragmentation (a literary, artistic and theatrical device mainly familiar to us due to Eliot’s use of it in his poem)
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Matt Lee: “Walking around Bangalore city where I live, one comes across matchboxes everywhere. Cheap and disposable, they litter the highways and footpaths, often to be found scattered around any roadside chai stall or cigarette kiosk.
In my travels across India I have collected over 600 matchboxes. Each design has come to signify a personal memory. Collectively, the visible scars of the battered boxes tell a story, mapping the places I have been and the experiences I have had.
The visuals that adorn this ongoing collection include historical and religious iconography, Indian pop culture, appropriated western imagery, mundane objects, and various animals. As an outsider, the disparate juxtapositions created through this series of designs have come to encapsulate quite perfectly the heterogeneous and hybrid visual culture of modern India.”
A project by Matt Lee. See the whole collection THERE
20 of the world’s best architects and designers build a dolls’ house for KIDS, an organization working with disabled children, young people and their families. HERE is where you can find details on all of the dolls’ houses, the architects behind these unique creations and place your bid.
The online site will be frozen at 12pm on Monday 11th November and further bids taken only at the auction event that evening. Highest bidders will be invited to attend the event or offered the opportunity to make a proxy bid. For further clarification on the bidding process, please contact email@example.com
AMODELS. Creative architectural model makers
ADJAYE ASSOCIATES. In collaboration with Base Models and artist Chris Ofili
DRMM. In collaboration with Richard Woods Studio and Grymsdyke Farm
ZAHA HADID ARCHITECTS. Internationally renowned, award-winning architects
See more houses THERE
Copenhagen Suborbitals is a suborbital space endeavor, based entirely on private donators, sponsors and part time specialists
According to them: “Our mission is to launch human beings into space on privately build rockets and spacecrafts. The project is both open source and non-profit in order to inspire as many people as possible, and to involve relevant partners and their expertise. We aim to show the world that human space flight can be different from the usual expensive and government controlled project. We are working full time to develop a series of suborbital space vehicles – designed to pave the way for manned space flight on a micro size spacecraft. The mission has a 100% peaceful purpose and is not in any way involved in carrying explosive, nuclear, biological and chemical payloads. We intend to share all our technical information as much as possible, within the laws of EU-export control.
They work in a 300 sqm storage building, called Horizontal Assembly Building (HAB), placed on an abandoned but yet historic shipyard in Copenhagen, Denmark.
The areas around HAB provides them with enough space to test their own rocket engines, and being situated close to the harbour of Copenhagen makes it easy for them to go into sea for our sea launch operation.
They have no administration or technical boards to approve our work, so they move very fast from idea to construction. Everything they build is tested until they believe it will do. Then they (attempt to) fly it!
Some of their main design drivers are:
– Keep as much work in-house as possible
– Choose mechanical solutions over electrical
– Use “ordinary” materials for cheaper and faster production
– Cut away (anything), instead of adding
Images and Text via Copenhagen Suborbitals
“Concrete Mushrooms” is a project initiated as an idea for research by two Albanian graduate students at Politecnico di Milano, and the purpose was to emphasize the appreciable assets of Albania such as bunkers which are vast in number and across all the rich and beautiful landscape of Albania. Apart all the studies done about the history of Albania, the reason of building the bunkers all over the country, how the people of Albania nowadays coexists with them, how and why do they use them, it is also thought of how the remaining bunkers can last their lives without being totally disappeared and can become the icon of a paranoid past transformed to the symbol of a bright future of the landscape of Albania. Bunkers seem to be happy of being born and living in Albania, and above all proud to be Albanians. But in fact their happiness masks an enormous sorrow of the past which would be recovered by their contribution to Albania.
Any of the “tourists” interested in adventures and nature, can enjoy natural resources of Albania by passing their nights in local at the same mobile cheap hostels without being obliged to carry their camping tents.
Cheap hostel – that’s what the future function of the bunker could be having the same commodity anywhere in Albania, there is not just one, there are supposed to be around 750 000 bunkers in Albania.
The priority of “Concrete Mushrooms” project is facing the symbol of xenophobia (bunker) with deliberate awareness for the purpose of inverting its meaning, the preservation of the memoir of a significant period of the Albanian history, giving bunkers value instead of having them as burden and as a result the promotion of an underdeveloped touristic sector such as Eco-Tourism which has an enormous potential at the same time growing the financial viability, social and environmental sustainability.
The project aims to create an institutional support for initiating the first steps of realizing it, the designed website will be a significant tool for any information related to the bunkers, to the implantation of network of transformed bunkers, the possible itineraries around them and great possibility for hunting and recording the number of the rooms of this huge hostel already built in Albania.
Production by Elian Stefa & Gyler Mydyti. Text and Images via Concrete Mushrooms