Archive for the ‘Performativity’ Category

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Some History of Piano Destroyers

March 7, 2018
Disclaimer: The content you are about to see contains graphic images of pianos being destroyed in different ways. Some viewers may find the following videos offensive. If so, you are not advised to watch the following.

 

*As one might imagine, there have been thousands of undocumented piano destructions all over the world. This list is a just a brief compilation of pianos being destroyed under different contexts/circumstances (artistic or not) and it does not represent an actual chronology of piano destruction. 

PIANO DESTRUCTION RITUAL: COWBOY AND INDIAN, PART TWO by Raphael Montañez Ortiz

“Participatory Performance. Background Sound Thunder and Lighting. The Piano is a powerful instrument of sound to convey the message of Sacrifice I wish to convey to the Universe. The Sounds of its Destruction gives full voice to Sacrifice: To the Destruction Creation in it cycle of Creation is giving us time to understand the preciousness of Mortal Life that it never be given up to or for Sacrifice of any kind… If we must have WAR send our PIANOS to WAR. If we must have VIOLENCE send our PIANOS to VIOLENCE, I dare YOU to HATE your PIANO to fill it with your HATE and BIGOTRY and Let Creation Know your PIANO’S Life does not compare to the Miracle of Life WE MORTALS are and that OUR PIANO is the SACRIFICE TO THAT FACT…As for the Egg and the Feathers they are the subtle aspect the preparation for the SPIRITUL BONDING with the PIANO: The Egg when it is held gently in one’s cupped hands and You imagine the worst aspects of Your Character and then crush the Egg on the PIANO you have committed Yourself to the surrender of those worst aspects to the Sacrifice the PIANO is… The Feathers placed on top of the crushed Egg are the signal to the Angels to carry the Sacrifice to a place of Spiritual Redemption.”

Piano Burning by Annea Lockwood. Festival PiedNu 2016

Annea Lockwood’s classic performance music work, Piano Burning (1968) was composed when she found abandoned upright pianos on the banks of the Thames River in London during the 1960s.

Busy Signals for 10 decomposing pianos by Paul Wiancko. Methow Valley Chamber Music Festival, 2015.

Performed by Paul Wiancko, Emilie-Anne Gendron, Ryan McCullough, Elena Urioste, Ayane Kozasa, Charles Noble, Curt Spiel, Kevin Krentz, Meeka Quan DiLorenzo, Brittany Boulding Breeden, and Sonja Myklebust. Commissioned by the Methow Valley Chamber Music Festival and premiered at the grand opening of Howard Johnson’s Piano Garden on Signal Hill in Twisp, WA on July 26, 2015.

The End of Civilisation by Douglas Gordon, 2012.

“I wanted to do something with a piano in a landscape of some significance and I suppose, as a Scotsman, there’s nothing more significant than the border. I thought it was beautiful to look from one country into another and I liked the idea that Hadrian’s Wall is, under a certain interpretation, a great end of civilization…  I was overwhelmed to be in a landscape of such beauty, and with such a huge unfathomable history.” —Douglas Gordon

PIANO DEMOLITION PERFORMANCE byMATTHEW BOURNE , SPATCHCOCK, LONDON, MAY 15, 2010.

“SPATCHCOCK’ nights were legendary: hosted by a community of extraordinarily creative people living in amongst the warehouses in Overbuy Road, London. Raucous, intense, powerful, FUN. As the evenings progressed, one could be guaranteed of becoming quite mashed-up, and continuing well into the following morning… SPATCHCOCK had asked if I would play an old upright piano – one they were looking to dispose of. Not wishing to pay for its removal, they asked that, as part of the performance, would I mind progressively destroying it… Armed with tools from Rupert Lees’s nearby workshop, I set about the task of a ‘demolition performance’. The video ends with an ‘encore’ performed off-camera, on another upright, elsewhere in the warehouse. The debris from the demolition was recycled, and fashioned into functional or decorative items by Rupert Lees; and the strung, iron frame, is still in use today, at Ellis Gardiner’s nearby studio.”

Yosuke YAMASHITA “Burning Piano 2008,” March 8, 2008 at Noto Resort Area Masuhogaura, Shika-machi, Ishikawa, Japan) Related Event of the 21st Century Museum of Contemporary Art, Kanazawa Third Anniversary Exhibition, Graphism in the Wilderness: Kiyoshi Awazu Exhibition.

“In the upcoming event, I will encounter an old piano built decades ago, otherwise destined to be discarded. For this old piano, I would like to perform a funeral requiem with the deepest love from my heart. At the same time, I would like my performance to pay homage to the 1973’s performance (this film work “Burning Piano” by Kiyoshi Awazu was presented in 1974,) as well as to Kiyoshi Awazu, the artist of richly experimental spirit who created it, and to all experimental avant-garde art movements of the sixties.” Text Via

fig_1.jpgLeonhard Lapin, Ülevi Eljand, Ando Keskküla, “Trio for Piano,” 1990, happening in Tallinn Art Hall, 1990. Image courtesy of the Art Museum of Estonia, Tallinn.

One of the most well-known events organized by SOUP was the happening Trio for Piano, held on International Women’s Day on March 8, 1969, in the main hall of the State Art Institute. This event wasn’t called Trio for Piano initially (the name was given retrospectively by Lapin), nor was it – at least not unambiguously – understood as a “happening” at the time. There are no recordings of this event, only the memories of the participants and the audience, according to which this happening can be, cautiously, described as follows (keeping in mind that memories are rather fluid).

As the Art Institute had recently acquired a new piano, the old piano was donated to students who had requested it. According to Lapin, they had heard that pianos were being destroyed by young and radical artists all over Europe. The students were generally familiar with the phenomena of happenings and they had organized some similar events at the Art Institute and elsewhere. International Women’s Day was celebrated all over the country with performances, lectures, and other events, and the art students made their own contribution to this celebration. In front of an audience of other students, they put the piano at the center of their activities and played on it and with it in every possible way. For example, Künnapu played the piano while reading an architectural drawing as a “score;” others painted smiling lips on the instrument and “made love” to the piano before moving it to one side and breaking it into small pieces, which were thrown to the audience to take away as souvenirs. During the event the artists also considered whether the piano should be thrown out of the window onto the street crossing next to the art school, which was known as a dangerous place where a lot of accidents happened; however in the end, this idea was abandoned. The audience was excited and reacted to all of the activities energetically; the event was remembered many years later as a legendary disturbance, but it had no serious consequences for the organizers. Text Via

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a12Wiener Gruppe – 2nd Literary Cabaret – 15. 4. 1959. Porrhaus, Vienna. Friedrich Achleitner, Konrad Bayer, Gerhard Rühm and Oswald Wiener.

Tthe evening (of 15th april, 1959) began as promisingly as the first one. As soon as the first spectator entered the auditorium we started to play the tape recording of an oil—extraction plant transmitted by loudspeaker, which we kept going for about three-quarters of an hour till the beginning of the performance proper. This created a technical atmosphere and made for nervousness in the crowded audience (there were about 700 people). Continue HERE

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Sigurdur Gudmundsson

July 16, 2014

Guided by an existential interest in the unknown, Sigurdur Gudmundsson generates work of abundant wit and verve that questions the way that vernacular culture and art relates to nature. Depicting everyday circumstances with absurdist tweaks, his Situations read as visual poems that explore the idiosyncrasies of human existence and tend toward the comical while retaining philosophical gravity. Gudmundsson uses himself as the subject of the Situations, but does not consider the works to be self-portraits but, rather, open-ended reflections that invite the viewer to ponder alongside the artist. Turning to sculpture in recent years, Gudmundsson has focused on creating works that retain his characteristic humor and are dominated by elegance, simplicity, and technical perfection.

In 1978, with 19 other artists, Gudmundsson co-founded Reykjavik’s Living Art Museum, which is dedicated to experimental and innovative contemporary visual art. His artworks have been exhibited internationally, including at the 37th Venice Biennale, the National Gallery of Iceland, and the Stedelijk Museum in Amsterdam, and his public commissions have been displayed in Rotterdam, Groningen, and The Hague.

Born: 1942
Hometown: Reykjavik, Iceland
Lives and Works: Amsterdam, The Netherlands and Xiamen, China

Text via Artspace
Images via i8 and ilikethisart

Collage, 1979. C-print, 69 x 87 cm / 106 x 127 cm framed

Horizontal Thoughts, 1970. Silver print on fiberbased paper. 100 x 95 cm

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MIT Finger Device Reads to the Blind in Real Time

July 14, 2014

“Scientists at the Massachusetts Institute of Technology are developing an audio reading device to be worn on the index finger of people whose vision is impaired, giving them affordable and immediate access to printed words.

The so-called FingerReader, a prototype produced by a 3-D printer, fits like a ring on the user’s finger, equipped with a small camera that scans text. A synthesized voice reads words aloud, quickly translating books, restaurant menus and other needed materials for daily living, especially away from home or office.”

Read full article at Boston.com

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Dogs Smell Time

July 1, 2014

Can you smell time? Your dog can.

On a very basic level, so can you: When you crack the lid on that old quart of milk, tentatively sniff and—peeyouu!—promptly dump that foul stuff down the sink, you are, in effect, smelling time. Specifically, you can smell that far too much time has elapsed since that milk was fresh.

But a dog can smell time with a sophistication that puts our simple sniffers to shame. “Odors exist in time, and dogs perceive that,” explains cognitive scientist and canine researcher Alexandra Horowitz of Columbia University. “Dogs use smell to ‘tell time,’ in some sense, because a more recently laid odor smells stronger, and an older odor smells weaker.”

A dog’s nose is a notoriously sensitive piece of equipment. With up to 300 million olfactory receptors compared to our lousy 5 million, a dog can detect a single teaspoon of sugar dissolved into a million gallons of water, the equivalent of two Olympic-sized swimming pools. Unlike us, dogs are able to take in scent continuously, even as they exhale. What’s more, a dog’s nostrils are smaller than the distance between them, effectively giving dogs “stereo” sniffing power that carries subtle grades of information, including directionality.

Read full article at Strange Attractor

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How Your Great-Grandchildren Could Talk to You Decades after Your Death

June 21, 2014

Humans have sought immortality since at least the 22nd century B.C., if the ancient story “Epic of Gilgamesh” is any indication. And if we’re looking for biological immortality, we might have to keep looking. But if you don’t mind living a virtual life, immortality might be yours for the taking.

Our new digital lives have opened up countless ways for us to express thoughts and share ideas, particularly on social media. While you’re busy posting your latest selfie, something much more meaningful is happening. With each photo you take or message you write, technology is slowly capturing digital artifacts of your life. Artifacts that someday not too far from now might be reassembled into your virtual avatar.

Instead of flipping through photo albums, imagine if your great-grandchildren walk over to the latest voice-controlled computer of their day and say, “I want to talk to grandma.” In just seconds, a “virtual you” is projected into the room ready for a quick conversation. Your thoughts, stories, favorite phrases and even mannerisms are all correct. Sounds far-fetched, but not as much as you might think.

In fact, there are several companies who promise to collect your digital content and create a virtual you, including Eterni.me, LifeNaut and LIVESON.

Read full article by HuffPost HERE

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Li Hongbo

May 22, 2014

Classical sculptures that defy logic by paper master Li Hongbo.
Extended Version

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Look over a watchmakers’ shoulders or through their eyes

April 28, 2014

German based watchmakers NOMOS Glashütte are known for their high caliber of watchmaking and this video proves it. Aptly titled Look over the watchmakers’ shoulder we get an intimate look at the intricate process that goes into the making of a watch.

They say: “Plenty of tradition and handcraft—combined with high-tech, where it outperforms handcraft: That is NOMOS Glashütte. All our movements are built in-house and by ourselves in Glashütte. This also applies to our watches—Tangente, Orion, Zürich and all the other models—many of which are already considered classics. You can find out how we do this by visiting us in Glashütte and taking a tour. In the meantime, this short film can give you a first impression of what we do.”