Here you have our weekly selection of 7 (recent and not so recent) Bandcamp releases that have been orbiting around our heads lately:
Kaloli is the debut full-length LP from Kampala’s darkest electro-percussion group Nihiloxica. The album marries the propulsive Ugandan percussion of the Nilotika Cultural Ensemble with technoid analog synth lines and hybrid kit playing from the UK’s pq and Spooky-J. The result is something otherworldly. Kaloli journeys through the uncharted space between two cultures of dance music, where the expression of traditional elements mutates into something more sinister and nihilistic.
Oblique Russian sound strategist Natalia Salmina’s latest forking path portfolio as Atariame, Voiceless, arose in the wake of a dissociative relocation to Moscow, where she found herself adrift amidst a manic metropolis, alone in a skyscraper staring out at trees: “It made me lose faith in my ability to communicate, in my ideas about life.” Days without speaking turned to weeks. Even in private she felt estranged from her voice, and soon ceased singing.
Barker makes solo debut on Ostgut Ton with new experimental dancefloor EP. Sam Barker has had a long ongoing relationship with Berghain and Ostgut Ton, having released two LPs and various EPs as one half of Barker & Baumecker and hosting regular nights at the club since September 2008 as co-founder of the label Leisure System. 2017 marked the beginning of his solo residency, 2018 sees his first solo release with Ostgut Ton.
Michael Morley is an experimental musician and visual artist from New Zealand. Morley sings and plays guitar and laptop as a member of The Dead C, but also records on his own as Gate. Earlier, in the 1980s, Morley was a member of Wreck Small Speakers On Expensive Stereos.
Michael Manring is a bassist and composer known for his innovative approach. He studied with Jaco Pastorius, has appeared on hundreds of recordings and toured throughout the world. He has received Grammy and Bammie nominations, the Berklee School of Music Distinguished Alumni Award, two Gold Records, two Just Plain Folks awards and the Bassist of the Year award from Bass Player Magazine.
“…The album is a sparse slice of American Primitive folk – cut from the cloth of Fahey and Basho, but tied tight with the discarded threads of Loren Connors, Tashi Dorji, Bill Orcutt, and Scott Tuma. There’s not the same type of fluidity that would befit a Fahey acolyte, but there’s more movement here than Connors usually lets take hold. Hay falls somewhere between the ripple-pickers and the 4AM dirge hunters…” – Raven Sings the Blues
“Guy Buttery is something of a National treasure”, says South Africa’s leading newspaper The Mercury. Guy’s distinct unification of South African guitar music is the musical advocate for everything positive and beautiful about the place he calls home. An ambassador of South African music, Guy inspires people across the world with his homegrown style at the very heart of his talent and tenacity.