Thomas Pynchon’s novels have several recurring themes: paranoia and conspiracy, pastiches of high and low culture, synchronicity and coincidence, shadowy networks lurking around every corner, and the impact of science and technology. With the coming of the Internet age and the surveillance society that sprang up in the wake of 11 September 2001, it seems as though reality has finally caught up with his vision. In his latest work, Bleeding Edge, Pynchon takes full advantage of this convergence.
The first question asked of a new Pynchon book is: is this one of the sprawling, spiralling, time-tripping monsters with innumerable characters and a plot that is tricky to bring into focus, like Gravity’s Rainbow or Against the Day; or is it one of the fun detective stories with a well-defined protagonist, like The Crying of Lot 49 or Inherent Vice? Bleeding Edge is definitely in the latter category. There is a colourful cast of memorable personalities, and high jinks often ensue, but the tale is told linearly, from the point of view of an acknowledged main character, with something approximating an explicit goal.
Excerpt from an article written by Sean M. Carroll at Nature. Continue THERE
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