Max Adams, author of The Prometheans, looks at the art of John Martin and how in his epic landscapes of apocalyptic scale one can see reflected his revolutionary leanings.
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John Martin and the Theatre of Subversion
Max Adams, author of The Prometheans, looks at the art of John Martin and how in his epic landscapes of apocalyptic scale one can see reflected his revolutionary leanings.
Continue HERE
WANDERLUST 