The brash young composer Nico Muhly – much to the surprise of many but probably not to himself – turned out to be right.
When his opera Dark Sisters was premiered in New York City in November, many believed the ever prolific Muhly (yes, even more prolific than his longtime employer Philip Glass) had rushed through the composition of a chamber opera about Church of Latter-Day Saints splinter groups that practice polygamy in remote outposts of the southwestern United States. The disappointment extended beyond the critics and operagoers hearing it for the first time on opening night. There was much grumbling within the industry that problems that were clearly apparent in the workshop preceding the premiere but hadn’t been addressed at all. Some of his fellow composers were secretly scathing.
Excerpt from and article/interview written by David Patrick Stearns, at Condemned to Music. Continue HERE