Critical spatial practice, forensic aesthetics, and Institutional Critique v. 2.0: What do these terms mean, and what tools do they give artists, architects, and activists in their aesthetic and political pursuits? Eyal Weizman and Nato Thompson are both writers, curators, and activists expanding these terms in discourse and in action. Both are also poised to publish books this summer. Thompson’s new book, Seeing Power: Art and Activism in the Age of Cultural Production, considers art production in an age of American neoliberalism and how artists might liberate grassroots political organizing, social networking, and even the history of art from the grasp of consumer capitalism. Weizman, meanwhile, explores the rise of the humanitarian sphere and how contemporary warfare and occupation have distorted its initial tenets of compassion and proportionality in The Least of All Possible Evils. Here, Weizman and Thompson join Anna Altman to discuss how cross-pollinating disciplines can generate new research methods, new positions of power, and new political aesthetics.
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